Notes from the Manager
Related Strips: #275: Death Race, Part One
Three updates this week, all hand-drawn. See you on Wednesday and Friday.
To draw these pages, I draw and redraw thumbnails until I have a good idea of the basic layout, then create the panel borders in Illustrator. I lightbox the borders onto Bristol drawing paper, then pencil in the panels loosely with dark blue Colerase pencils. I find the light blue/non-photo blue ones too hard to see. I tighten up the pencils where needed with a regular 2H lead (although I suppose I could just use a different Colerase color) before moving on to inking.
I inked this page with a crow quill, because I'm only working at about 8.25" x 10.5" — not much larger than actual size. The bright white spots and the pitch black art show where I've done a bit of digital retouching. For instance, the shadows below the fronts of the karts and most of the checkered pattern on the sides of the karts were added in Photoshop, simply because I forgot to pencil them in the first time around. And the drawing of Kurt in the final panel was composited in from a different page, because I screwed him up the first time.
You can see panels 1–3 from this page over at my Flickr page. I inked those panels with a brush, because the figures were larger. If you compare the scan to the final panel, you'll see that I fixed Franklin's wonky eye digitally. Even when I work "traditionally," I do a lot with a computer.
You can also see a preliminary sketch of Kurt in his kart over at my LiveJournal.
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Sunday, March 29, 2015
I want to take a foray into electronic publishing.
I am looking for a (prose) writer to provide a short story, novella or non-fiction story that I will turn into an iBooks-formatted eBook for sale (in the iBookstore), released under my Chase Sequence publishing imprint. Chase Sequence published Multiplex: There and Back Again, which won the 2014 IPBA Gold Medal for Best Graphic Novel/Drawn Book–Humor/Cartoon, so technically it is an award-winning publisher.
There is no limitation with regard to genre, but I will say that my taste in prose leans strongly toward literary fiction and non-fiction, and toward characters, psychology, and well-written prose over plot. (Margaret Atwood is my favorite writer.)
What to Submit: A pitch for a 30+ page, prose short story/novella/non-fiction piece. No comics — no picture books. If you have already written the short story, great, but it must be previously unpublished. Please include links or URLs to a resumé and examples of previous published work would be helpful, to give me a feel for your voice.
Send questions (or submissions) to gordon at multiplexcomic.com.
The Terms: No money up front, but 50% of the cover price in exchange for one year of exclusivity (from the date of publication). The writer retains all other rights to their story. These will be sold via iBooks only (at least at first), which means that Apple will get 30% and I will get 20% for my contributions: I will edit the story; I will design and produce the eBook; I will illustrate a cover for it (or hire someone else to, if I’m not the best fit for the story); I will help promote it.
Please submit your pitch before April 30, 2015. I will notify the selected writer(s) I am interested in working with as soon as possible after that.
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