Notes from the Manager
The movie they're watching is, of course, (500) Days of Summer (as noted in #378). It's a really fun film — perhaps just shy of being a great film — but I enjoyed it more… on almost an intellectual level than an emotional level.
I feel like it's being sold as a romantic comedy (despite a narrator saying "This is not a love story" in both the trailer and the film), and I don't know how accurate that is. Summer is Joseph Gordon-Levitt's film, without a doubt. While I am utterly in love with Zooey Deschanel (as I've mentioned several times in the past, I'm sure), Summer Finn is more of an idea of a perfect girl than a well-rounded character. This is not, at least in my opinion, a flaw with the film; it's sort of the central conceit: that the "perfect girl" doesn't exist. I love this movie for that — but it does make it something other than a romantic comedy, I think.
In the film, JGL's character Tom is a failed architect of sorts. He takes Summer on sort of a walking tour of downtown LA early in their relationship, but rather than point out modern buildings (booooring) he pointed out some of the older, ornate skyscrapers that often get forgotten about when people think of Los Angeles. (You can see a few photos of the gorgeous Fine Arts Building mentioned in panel 2 at Public Art in LA.com.)
Summer doesn't dwell on the architecture stuff too terribly long or anything, but rather than just mentioning that Tom wants to be an architect and casually tossing off the most famous architects' names the screenwriter could think of ("Oh yeah, I used to want to be an architect, Frank Lloyd Wright, Mies van der Rohe, blah blah"), they actually talk about the buildings a little bit. Shocking.
I might be talking up this aspect of the film more than I ought to, because it's really not a huge part of the movie, but I adore (500) Days of Summer for that little touch— and not just because it played so beautifully into the storyline I'd already started.
Here's the film's trailer (from which the movie still was taken):
The website Devi mentions — Cinema Treasures — is one of my favorite websites on the internet. The database lets me easily track down and read about every single movie theater that has ever existed, and its wonderfully passionate users often link to photos they've taken or found of the buildings. (They also have an absolutely gorgeous coffee table book.) You can read a little about the Million Dollar Theater mentioned in this strip and glimpsed briefly in (500) Days of Summer at Cinema Treasures or check out some photos of it via Google Images.
UPDATE: Oh, and I almost forgot. There are two new, long overdue reader cameos. One is hempy (a.k.a. Paul Hempseed, who has the coolest name ever) with the red hair towards the back in panel 2, and the other is... umm… I forget at the moment. The Asian guy next to Paul.
I'll edit this bit later. Psyrick! That's who!
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Sunday, March 29, 2015
I want to take a foray into electronic publishing.
I am looking for a (prose) writer to provide a short story, novella or non-fiction story that I will turn into an iBooks-formatted eBook for sale (in the iBookstore), released under my Chase Sequence publishing imprint. Chase Sequence published Multiplex: There and Back Again, which won the 2014 IPBA Gold Medal for Best Graphic Novel/Drawn Book–Humor/Cartoon, so technically it is an award-winning publisher.
There is no limitation with regard to genre, but I will say that my taste in prose leans strongly toward literary fiction and non-fiction, and toward characters, psychology, and well-written prose over plot. (Margaret Atwood is my favorite writer.)
What to Submit: A pitch for a 30+ page, prose short story/novella/non-fiction piece. No comics — no picture books. If you have already written the short story, great, but it must be previously unpublished. Please include links or URLs to a resumé and examples of previous published work would be helpful, to give me a feel for your voice.
Send questions (or submissions) to gordon at multiplexcomic.com.
The Terms: No money up front, but 50% of the cover price in exchange for one year of exclusivity (from the date of publication). The writer retains all other rights to their story. These will be sold via iBooks only (at least at first), which means that Apple will get 30% and I will get 20% for my contributions: I will edit the story; I will design and produce the eBook; I will illustrate a cover for it (or hire someone else to, if I’m not the best fit for the story); I will help promote it.
Please submit your pitch before April 30, 2015. I will notify the selected writer(s) I am interested in working with as soon as possible after that.
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