Notes from the Manager
A couple of details unimportant enough not to include here (or that will come up later and aren't spoilery):
1) Josh doesn't work for the pizza place again. It's just an old shirt and hat he could get blood all over. He's a bartender now.
2) Since it's a black and white movie, they used black blood for these effects shots to heighten the contrast. Black and white also makes adding these extra zombies a lot easier, since they don't need to color match. That's one of the reasons they chose black and white, other than just being creepier, of course.
3) Josh is being used way in the back of the shot (he's in the top right), so they didn't need to put any detail in his missing arm or do the usual zombie eyes they've been using in the other scenes. I realize that the footage of Josh is still in the camera, and that Franklin wouldn't have actually been able to drop him into the version he showed Josh, but it's not meant to be literally the exact shot that he sees; it's the finished version. Well, finished without graytones, because I've fallen far enough behind on Book 2 that I still can't spare the time to tone the regular updates.
4) The "shot we took last fall" Jason mentions in panel 3 was taken in #664.
I wanted to have someone say that the green screen really tied the room together, but there wasn't room. sigh
So like I mentioned in (3), I've been falling behind on Book 2, but the Chapter 8 eBook will come out this week. The final bonus strip for it is done; I just need to get the actual eBook finished up now.
How much Multiplex can you handle?!
In addition to the warm, soothing feeling of being a patron of the fine art of comic strippery, Patrons get access to free Multiplex eBooks, sneak previews of upcoming comics and other behind the scenes peeks, sketch giveaways, and more!
Deleted Scenes Blog
Bonus comics, drawings,
movie trailers and more
Wednesday, August 26, 2015
This is not as accessible to people who haven’t seen the movie as I like these reviews to be, but if you’re not familiar with The Island or Never Let Me Go at all, the premises are that clones are raised and educated as “spare parts” — which is just plain absurd. (The idea that such a thing would be allowed by any reasonable society made the premise impossible for me to swallow, except as a very far-fetched Twilight Zone-style scenario. At least in The Island, it was secret and illegal.)
An absurd premise isn’t a deal-breaker, though, really. But The Island never lets you go past its implausible premise, because it is constantly trying to explain how it all works in equally stupid ways, further compounded by Bay’s typical disregard for logic and continuity:
- Once Lincoln Six Echo (Ewan McGregor) learns the truth about their lives, he goes to the apartment of Jordan Two Delta (Scarlett Johannson) so they can escape. She greets him at the door by saying, “How sweet! You came to see me off” (I’m paraphrasing some of that)… yet their next scene, moments later, she is surprised and exclaims that he isn’t allowed in the female tower (as it’s called). This might be able to be explained away by some contrived explanation, but… the two moments feel completely incongruous.
- The massive underground facility the clones are kept in is maintained by presumably hundreds of normal human employees (including Steve Buscemi, Sean Bean, and Yvette Nicole Brown’s characters) — complete with a showroom for ultra-rich potential clients. Yet Lincoln and Jordan emerge from it into desert with nothing around. No helicopter landing pad, no parking lot… nothing. We even see a helicopter landing pad later in the film, yet it is again nowhere to be seen at the very end of the movie.
- Pursued by mercenaries, Lincoln and Jordan end up in a train station. The mercenaries open fire, killing Steve Buscemi, and a panic ensues inside the station… yet Lincoln and Jordan run onto the train with oblivious workers and passengers milling around calmly — and it then proceeds to leave the station as if no one has just gotten murdered… and arrives some time later in Los Angeles, without incident.
Minor or not, the sheer number of them just keep piling up. sigh
This is the last of the Multiplex Movie Reviews I’ll be sharing here in the Deleted Scenes blog for the near future. I hope you’ve enjoyed them!
Patreon patrons and Kickstarter backers will see more of these in their respective feeds come January — as well as the Multiplex: The Revenge bonus comics, of course. (There may even be a few movie review comics during the semester as time permits, but I can’t really promise anything. I’ve got A LOT of work to do for my thesis!)
EDIT: By the way, I wasn’t familiar with Parts: The Clonus Horror when I did this strip. (I don’t watch MST3K; I can’t bring myself to watch movies that shitty, even if there are incredibly funny motherfuckers talking over them.) But several people have told me about it since. These kinds of things are usually largely coincidental (or unintentional) — different people independently arrive at similar ideas all the time. $130 million movies generally don’t need to rip off obscure B-movie (or book, or comic book) plots when there are thousands of equally good ideas that they can legitimately use for less money than a settlement.
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