Notes from the Manager
There’s a term coined by Timothy Leary — “set and setting” — in reference to the context in which people take psychoactive drugs: the idea being that the mindset and the setting in which you do the drugs has an effect on your experience of the drugs’ effects. If you’re in a good mindset and a good setting, you’re more likely to have a good trip. If you’re in a bad mindset and/or a bad setting, you’re more likely to have a bad trip.
I believe that this idea is true of movies, too, to an extent: with the right set and setting, nearly any movie-watching experience can be more enjoyable (if not enjoyable, exactly). Comedies are more fun when you’re sitting in an audience that’s enjoying itself. Horror movies are more fun with an audience that’s scared out of its wits. Movies that are “so bad they’re good” can be fun with a group of people sitting around to rip on them with… for some people, anyway. (Me, I can’t get into that shit; I always feel like I could be watching something that was legitimately good instead. Life is too short.) And so on.
My point here isn’t just about an audience, though, but of the projection and the theater, too:
As funny as I think that clip is, I think Lynch is being a bit of a curmudgeon here. I wouldn’t watch a movie on my smartphone, either, yet I have seen and loved a great many movies on my iPad mini and a good pair of headphones, which is high enough resolution that held at a normal distance from my head the screen is actually bigger than my TV. But yeah. A bigger screen is more immersive, which nearly always makes for a better experience. Even if the movie itself isn’t.
I digress. See you Friday!
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Sunday, March 1, 2015
I was never a huge Star Trek fan, exactly. I love some of the early episodes, and I think Star Trek II: The Wrath of Khan is one of the greatest
science fiction movies of all time. I enjoyed Star Trek III and IV, too, for what they were. I read a bunch of the DC Comics Star Trek stuff at that time, because my brother bought them. And I watched a bit of the Next Generation and then fell off the wagon. Kirk and Spock were my Star Trek, and the Star Trek 2–4 “era” was its peak for me, warts and all, because that’s the “era” that really hooked me. And really, for me, it was all about Wrath of Khan.
In addition to playing Mr. Spock, of course, Leonard Nimoy did a lot of other things. He was on Mission: Impossible. He directed a few movies (Three Men and a Baby!). He was a photographer. He was the voice of Civilization IV. But one thing I really loved of his was Standby: Lights, Camera, Action, on Nickelodeon from 1982–1987, which provided a behind the scenes look at movies like Star Trek III, Return of the Jedi, 2010, and more. Nimoy hosted and occasionally interviewed guests like George Lucas. As a budding film nerd in the pre-Internet Dark Ages, behind the scenes specials like Standby: Lights, Camera, Action were hard to come by. I ate that show up.
Anyway, as you’re undoubtedly aware by now, Leonard Nimoy passed away on the 27th. As cartoonists do when they’re sad about these kinds of things, I drew a picture:
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