Notes from the Manager
There’s a term coined by Timothy Leary — “set and setting” — in reference to the context in which people take psychoactive drugs: the idea being that the mindset and the setting in which you do the drugs has an effect on your experience of the drugs’ effects. If you’re in a good mindset and a good setting, you’re more likely to have a good trip. If you’re in a bad mindset and/or a bad setting, you’re more likely to have a bad trip.
I believe that this idea is true of movies, too, to an extent: with the right set and setting, nearly any movie-watching experience can be more enjoyable (if not enjoyable, exactly). Comedies are more fun when you’re sitting in an audience that’s enjoying itself. Horror movies are more fun with an audience that’s scared out of its wits. Movies that are “so bad they’re good” can be fun with a group of people sitting around to rip on them with… for some people, anyway. (Me, I can’t get into that shit; I always feel like I could be watching something that was legitimately good instead. Life is too short.) And so on.
My point here isn’t just about an audience, though, but of the projection and the theater, too:
As funny as I think that clip is, I think Lynch is being a bit of a curmudgeon here. I wouldn’t watch a movie on my smartphone, either, yet I have seen and loved a great many movies on my iPad mini and a good pair of headphones, which is high enough resolution that held at a normal distance from my head the screen is actually bigger than my TV. But yeah. A bigger screen is more immersive, which nearly always makes for a better experience. Even if the movie itself isn’t.
I digress. See you Friday!
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Wednesday, July 1, 2015
Ten years ago this month (on July 10th, 2005, to be specific), I posted two shitty looking comics to a corner of the Stripped Books website. At that point, I had no idea what I was in for: it was a gag strip that would quickly transform into a character-based comedy where people talk about movies — not just superficially about specific movies, but about how people watch and talk about movies of all kinds. The art got a little better, too.
The Multiplex characters took on a life of their own and ultimately turned this comic into an eleven- or twelve-year “epic” about the movie theater industry in one of the most interesting periods in its hundred-year history (and also this one jerk who kinda sorta becomes a slightly better person maybe if you squint your eyes and cock your head to the side a little).
Multiplex’s readership grew quickly in those first few years, thanks in very large part to a pair of guest strips on PvP and some well-placed Project Wonderful ad campaigns (thanks, Something Positive and Shortpacked!), and in the years since it has since retained a small but passionate readership that has supported me time and time again: the Patreon project of course, as well as two successful Kickstarter projects to fund two books I’m very proud of.*
Thank you for allowing me to tell this story.
Thank you for reading.
* Speaking of Kickstarter projects, there will be an announcement about Multiplex: Book Three… very soon.
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