Notes from the Manager
For the record, I did think the plot of Eagle Eye was too proposterous and too derivative to really enjoy the movie (and I'm not the only one), but my issue with the film is entirely with the script. If you don't mind for your action movies to make absolutely no sense at all, it is well-acted and well-directed; you might dig it.
I'll leave it at that — spoiler-free — for here, but if you tune into The Triple Feature episode #92 tonight — or download the podcast later this week — I'm sure we'll get into spoiler territory. (You can also subscribe via iTunes and never miss an episode.) As always, Theater Hopper's Tom Brazelton, Joe Loves Crappy Movies's Joe Dunn and myself will be discussing a few of the week's new releases: this week being Eagle Eye, Choke, and possibly something else.
We'll also be answering some questions, if you have any. E-mail us at firstname.lastname@example.org with your questions about movies, our comics, or whatever, and we'll pick the most interesting ones.
Jason's description of the chase scene in question is as accurate as I could manage from my notes. Although I don't seriously think that geographic accuracy is a very strong reason to criticize a pulpy action movie, I did get more than a few laughs out of the complete lack of any attempt to keep things true to the real-life Chicago. The Wilson L station and one of the intersections named in the chase — Sheridan and Granville — are a short ride down the Red Line from where Jason grew up (in Rogers Park), so it makes sense that he would immediately notice the disparities. You can see a bit of this chase scene over at Trailer Addict.
You can also see the trailer for the documentary Man on Wire — the poster behind Kurt in the last few panels — here:
Putting the poster back there was really more of an in-joke with myself than anything else, but familiarity with the movie — which is about a man who walked between the two World Trade Center towers on August 7, 1974 — may add a very tiny extra dimension to the title.
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Sunday, March 29, 2015
I want to take a foray into electronic publishing.
I am looking for a (prose) writer to provide a short story, novella or non-fiction story that I will turn into an iBooks-formatted eBook for sale (in the iBookstore), released under my Chase Sequence publishing imprint. Chase Sequence published Multiplex: There and Back Again, which won the 2014 IPBA Gold Medal for Best Graphic Novel/Drawn Book–Humor/Cartoon, so technically it is an award-winning publisher.
There is no limitation with regard to genre, but I will say that my taste in prose leans strongly toward literary fiction and non-fiction, and toward characters, psychology, and well-written prose over plot. (Margaret Atwood is my favorite writer.)
What to Submit: A pitch for a 30+ page, prose short story/novella/non-fiction piece. No comics — no picture books. If you have already written the short story, great, but it must be previously unpublished. Please include links or URLs to a resumé and examples of previous published work would be helpful, to give me a feel for your voice.
Send questions (or submissions) to gordon at multiplexcomic.com.
The Terms: No money up front, but 50% of the cover price in exchange for one year of exclusivity (from the date of publication). The writer retains all other rights to their story. These will be sold via iBooks only (at least at first), which means that Apple will get 30% and I will get 20% for my contributions: I will edit the story; I will design and produce the eBook; I will illustrate a cover for it (or hire someone else to, if I’m not the best fit for the story); I will help promote it.
Please submit your pitch before April 30, 2015. I will notify the selected writer(s) I am interested in working with as soon as possible after that.
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