Notes from the Manager
We have two milestones to celebrate today:
(1) Multiplex has hit #400! I don't make a fuss about these round-number milestones, because I've done so many unnumbered bonus strips that I've really already done more than 400 Multiplex strips, but some of you guys dig them. So hooray.
(2) The Multiplex Kickstarter project has reached the half-way mark! In the build-up to reaching the half-way mark, I announced (via Twitter and Facebook) a little bonus reward thing where anybody who pledged before Thursday (Wednesday night at midnight) was entered into a random drawing to win one of five printed and signed copies of the Multiplex: Chapter 1 comic. (Not to be confused with the Mutliplex: Book 1 collection that the Kickstarter project is funding. The Chapter 1 print comic is basically the first eBook, except on paper.)
I hadn't planned on us actually reaching the half-way mark before Monday, but… well, we did. In just three weeks!
Anyway, so if you pledge ANY amount between now and Thursday, you'll be eligible to win one of five copies. (Note that these aren't yet printed, so they won't get shipped out for a while. They will eventually be available in the Multiplex Store, as well.)
This means, of course, that we have another
$3750 $3700 to raise in about ten weeks. But don't let the pledges die off now! Even if you don't win a copy of the Chapter 1 print comic, there will be more drawings for more free stuff in the future, and any backer will be eligible (unless you've already won something, or you're related to me, or you're a close personal friend of mine whom I think should be ineligible because it wouldn't be fair to my regular readers).
Don't forget, there's are also coupon codes for a free copy of the Chapter 1 HD edition and $2 off any of the T-shirts in the Multiplex Store for all past, present, and future Kickstarter backers, so you've got all sorts of reasons not to hesitate and pledge today!
Other less exciting news is that, alas, there will not be a Triple Feature tonight. Tom's had another hard drive failure and so his computer is basically/entirely out of commission, and I have stitches in my tongue, so I can't talk for extended periods of time very comfortably. Pain killers help. (They do not help me concentrate in order to draw comics, however.)
The stitches, in case you are curious, are from a biopsy. I have a white spot on my tongue that my dentist and doctor wanted to have checked out. There is a 95% chance of it being benign, so let's not make a big deal about it; I'll let you all know what's up when I know what's up. The most annoying part of it is, I also have a cold. So like just when I need to be gorging myself with lots of hot food, that's the last thing I want to put in my mouth. :1 Such is life.
Anyway! There will be three updates this week. (You gotta know what happens to Jason, right?) So, I'll see you on Wednesday!
How much Multiplex can you handle?!
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Deleted Scenes Blog
Bonus comics, drawings,
movie trailers and more
Wednesday, August 26, 2015
This is not as accessible to people who haven’t seen the movie as I like these reviews to be, but if you’re not familiar with The Island or Never Let Me Go at all, the premises are that clones are raised and educated as “spare parts” — which is just plain absurd. (The idea that such a thing would be allowed by any reasonable society made the premise impossible for me to swallow, except as a very far-fetched Twilight Zone-style scenario. At least in The Island, it was secret and illegal.)
An absurd premise isn’t a deal-breaker, though, really. But The Island never lets you go past its implausible premise, because it is constantly trying to explain how it all works in equally stupid ways, further compounded by Bay’s typical disregard for logic and continuity:
- Once Lincoln Six Echo (Ewan McGregor) learns the truth about their lives, he goes to the apartment of Jordan Two Delta (Scarlett Johannson) so they can escape. She greets him at the door by saying, “How sweet! You came to see me off” (I’m paraphrasing some of that)… yet their next scene, moments later, she is surprised and exclaims that he isn’t allowed in the female tower (as it’s called). This might be able to be explained away by some contrived explanation, but… the two moments feel completely incongruous.
- The massive underground facility the clones are kept in is maintained by presumably hundreds of normal human employees (including Steve Buscemi, Sean Bean, and Yvette Nicole Brown’s characters) — complete with a showroom for ultra-rich potential clients. Yet Lincoln and Jordan emerge from it into desert with nothing around. No helicopter landing pad, no parking lot… nothing. We even see a helicopter landing pad later in the film, yet it is again nowhere to be seen at the very end of the movie.
- Pursued by mercenaries, Lincoln and Jordan end up in a train station. The mercenaries open fire, killing Steve Buscemi, and a panic ensues inside the station… yet Lincoln and Jordan run onto the train with oblivious workers and passengers milling around calmly — and it then proceeds to leave the station as if no one has just gotten murdered… and arrives some time later in Los Angeles, without incident.
Minor or not, the sheer number of them just keep piling up. sigh
This is the last of the Multiplex Movie Reviews I’ll be sharing here in the Deleted Scenes blog for the near future. I hope you’ve enjoyed them!
Patreon patrons and Kickstarter backers will see more of these in their respective feeds come January — as well as the Multiplex: The Revenge bonus comics, of course. (There may even be a few movie review comics during the semester as time permits, but I can’t really promise anything. I’ve got A LOT of work to do for my thesis!)
EDIT: By the way, I wasn’t familiar with Parts: The Clonus Horror when I did this strip. (I don’t watch MST3K; I can’t bring myself to watch movies that shitty, even if there are incredibly funny motherfuckers talking over them.) But several people have told me about it since. These kinds of things are usually largely coincidental (or unintentional) — different people independently arrive at similar ideas all the time. $130 million movies generally don’t need to rip off obscure B-movie (or book, or comic book) plots when there are thousands of equally good ideas that they can legitimately use for less money than a settlement.
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