Notes from the Manager
I just want to repeat a couple bits of news since Friday morning:
1) Winners of the second batch of five Multiplex: Chapter 1 print comics have been notified via the Kickstarter Project's Message Center.
Time for pledge incentive number THREE!
For every $500 we get added to the total between now and October 19th, one lucky backer will get their pretty face drawn Multiplex-style for their Twitter / Facebook / whatever avatar. You'll get AI files and JPGs, so you can do whatever you need with them.
I'm starting the count from $4500, meaning if we get to $5000 before I post the strip for Monday, October 19th, there will be one winner. If we get to $5500 by then, there will be TWO; $6000 gets three winners; and so on.
(While it's not part of the prize, once I've drawn you, there's a pretty good bet you will appear in the print comic at some point as an extra, too.)
2) I've added a new Kickstarter Backers-only strip — from the upcoming second Chapter eBook (and of course the print collection, as well). It's the first of a three-part story called "Hostile Makeover," set after #42 in the archives, and explaining — at long last — Becky's new haircut and glasses.
The previous backers-only strip — a "guest strip" by Kurt — is temporarily up as the TopWebComics vote incentive (until I post a new incentive), to give those of you who have not yet pledged a taste of what you're missing out on. I will not be posting all of the backers-only strips as vote incentives, so if you want to read more Multiplex, pledge today — even just one little dollar will let you read the backers-only posts. But, of course, the $5 level will give you the Chapter eBooks. ;) And then, why not just reserve your copy of the print book now by pledging at the $30 level, since you know you're going to want it, anyway?
Oh, and a couple of new ones:
3) I made a guest appearance in Friday's Theater Hopper, kicking off a new storyline that is ripped straight outta real life. I'm always thrilled to see myself pop up online. I mean, shit, I'm not even in my own comic, unlike Tom's or Joe's.
I was not actually that angry. Mildly disappointed that I'd made it almost a week without knowing ____ __ _ ______ _____. (Don't actually try to decipher what those underlines mean, because they don't.)
4) Because my tongue is stitchless and deemed 100% healthy, there will be a Triple Feature tonight! We will be talking about Zombieland! And maybe some other shit!
5) PLEASE take this ONE-QUESTION SURVEY about the Multiplex: Book 1 print collection. I need help gauging the level of interest in the print book in order to help decide the size of the print run.
UPDATE (10/13): I've noticed in responses to the survey that a VERY small number of people have misgivings about the planned $25 cover price, and I feel compelled to respond.
I'm not DC Comics. I'm not printing up 10,000 copies here. Oversized, 188-page, full-color squarebound books are not cheap, and the fewer books you get, the more they cost per book.
These are the hard numbers: I need to sell the book at 60–70% OFF to distributors. With a $20 cover price, 60% off is $8. With a $25 cover price, that's $10.
With a 750 copy print run, I can't get them printed anywhere for less than $9 — to say nothing of shipping, store costs, PayPal Merchant accounts, SSL certificates, paying my assistant to ship everything, and so on.
For 1000 copies, they'll run me about $8 each just to print them. Selling them to a distributor for $8 is still not viable at this point.
For 1500 copies, I can probably get them for about $6–7, in which case selling to distributors for $8 becomes viable.
If I get 1000 YES responses, shit yeah, the print run will be 1500 and the book can cost $20. But I'm trying to be realistic here. Is Multiplex: Book 1 going to sell 1500 copies in the first year — or two years, even? I doubt it. I only get like 7500 readers per day, guys. Comics with three times my readership don't sell through 1000 books in a year.
I know, you guys aren't retailers or comic book distributors. But I have to set a cover price keeping those sales in mind. Yes, it also means I'll make a healthy profit off each Multiplex Store sale in a 1000 copy run, even after all my other Multiplex-related expenses. But… um… I'm not making these to break even, you know? I'd really like to be able to do comics full-time. Maybe do Multiplex 3 or 5 times a week? Maybe get the second collection out before another four years goes by? This one book won't let me do all of that, no matter how quickly it sells through, but it should get me closer, not farther away from that goal.
So, they're $25. I can and undoubtedly will offer them for less than cover price (at least sometimes), but it's simply not good business to offer a book for sale to retailers and then undercut them at my own store by a significant margin. Retailers need a reason to order the books themselves, and with 1000 copies or more, I can't rely on just Multiplex Store sales alone to push those out the door.
Lest anybody think I'm going to make a profit off of the Kickstarter project directly, the $7500 goal from Kickstarter would get me about $5400 (after Amazon payments' fees and income taxes — because yes, I gotta pay taxes on it). Minus costs to print and ship all of the non-book pledge rewards and minus my living expenses (because helping me finish the book is part of the project) — I'm very likely still going to be paying for half of the print run out of pocket.
Every penny of the Kickstarter funds will be accounted for in future Kickstarter updates.
How much Multiplex can you handle?!
In addition to the warm, soothing feeling of being a patron of the fine art of comic strippery, Patrons get access to free Multiplex eBooks, sneak previews of upcoming comics and other behind the scenes peeks, sketch giveaways, and more!
Deleted Scenes Blog
Bonus comics, drawings,
movie trailers and more
Wednesday, August 26, 2015
This is not as accessible to people who haven’t seen the movie as I like these reviews to be, but if you’re not familiar with The Island or Never Let Me Go at all, the premises are that clones are raised and educated as “spare parts” — which is just plain absurd. (The idea that such a thing would be allowed by any reasonable society made the premise impossible for me to swallow, except as a very far-fetched Twilight Zone-style scenario. At least in The Island, it was secret and illegal.)
An absurd premise isn’t a deal-breaker, though, really. But The Island never lets you go past its implausible premise, because it is constantly trying to explain how it all works in equally stupid ways, further compounded by Bay’s typical disregard for logic and continuity:
- Once Lincoln Six Echo (Ewan McGregor) learns the truth about their lives, he goes to the apartment of Jordan Two Delta (Scarlett Johannson) so they can escape. She greets him at the door by saying, “How sweet! You came to see me off” (I’m paraphrasing some of that)… yet their next scene, moments later, she is surprised and exclaims that he isn’t allowed in the female tower (as it’s called). This might be able to be explained away by some contrived explanation, but… the two moments feel completely incongruous.
- The massive underground facility the clones are kept in is maintained by presumably hundreds of normal human employees (including Steve Buscemi, Sean Bean, and Yvette Nicole Brown’s characters) — complete with a showroom for ultra-rich potential clients. Yet Lincoln and Jordan emerge from it into desert with nothing around. No helicopter landing pad, no parking lot… nothing. We even see a helicopter landing pad later in the film, yet it is again nowhere to be seen at the very end of the movie.
- Pursued by mercenaries, Lincoln and Jordan end up in a train station. The mercenaries open fire, killing Steve Buscemi, and a panic ensues inside the station… yet Lincoln and Jordan run onto the train with oblivious workers and passengers milling around calmly — and it then proceeds to leave the station as if no one has just gotten murdered… and arrives some time later in Los Angeles, without incident.
Minor or not, the sheer number of them just keep piling up. sigh
This is the last of the Multiplex Movie Reviews I’ll be sharing here in the Deleted Scenes blog for the near future. I hope you’ve enjoyed them!
Patreon patrons and Kickstarter backers will see more of these in their respective feeds come January — as well as the Multiplex: The Revenge bonus comics, of course. (There may even be a few movie review comics during the semester as time permits, but I can’t really promise anything. I’ve got A LOT of work to do for my thesis!)
EDIT: By the way, I wasn’t familiar with Parts: The Clonus Horror when I did this strip. (I don’t watch MST3K; I can’t bring myself to watch movies that shitty, even if there are incredibly funny motherfuckers talking over them.) But several people have told me about it since. These kinds of things are usually largely coincidental (or unintentional) — different people independently arrive at similar ideas all the time. $130 million movies generally don’t need to rip off obscure B-movie (or book, or comic book) plots when there are thousands of equally good ideas that they can legitimately use for less money than a settlement.
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