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#402: Diarrhea of the Dead, Part Three

October 9, 2009

Notes from the Manager

Related Strips: #400: Diarrhea of the Dead, Part One; #401: Diarrhea of the Dead, Part Two

For those few of you who have been wondering: the spot on my tongue is benign. yay!

I've contacted the (second group of) five winners of the upcoming Multiplex: Chapter 1 print comics via the Multiplex Kickstarter page. Thank you everybody for pledging!

We just passed $4500 last night! Thank you very much, y'allz! Keep those pledges coming! Less than $3000, and we're in the clear!

I have no idea what to do for an pledge incentive next! Give me ideas.

And now, I need to go to sleep.

UPDATE (2:16 pm): So winners of the second batch of five Multiplex: Chapter 1 print comics have been notified via the Kickstarter Project's Message Center.

Time for pledge incentive number THREE!

For every $500 we get added to the total between now and October 19th, one lucky backer will get their pretty face drawn Multiplex-style for their Twitter / Facebook / whatever avatar. You'll get AI files and JPGs, so you can do whatever you need with them.

I'm starting the count from $4500, meaning if we get to $5000 before I post the strip for Monday, October 19th, there will be one winner. If we get to $5500 by then, there will be TWO; $6000 gets three winners; and so on.

(While it's not part of the prize, once I've drawn you, there's a pretty good bet you will appear in the print comic at some point as an extra, too.)

UPDATE (Sunday, October 11th): I've added a new Kickstarter Backers-only strip — from the upcoming second Chapter eBook (and of course the print collection, as well). It's the first of a three-part story called "Hostile Makeover," set after #42 in the archives, and explaining — at long last — Becky's new haircut and glasses.

The previous backers-only strip — a "guest strip" by Kurt — is temporarily up as the TopWebComics vote incentive (until I post a new incentive), to give those of you who have not yet pledged a taste of what you're missing out on. I will not be posting all of the backers-only strips as vote incentives, so if you want to read more Multiplex, pledge today — even just one little dollar will let you read the backers-only posts. But, of course, the $5 level will give you the Chapter eBooks. ;) And then, why not just reserve your copy of the print book now by pledging at the $30 level, since you know you're going to want it, anyway?


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Multiplex is supported by Andrew Hathaway at Can’t Stop the Movies, A Fan of Coherence, and readers like you via PATREON. Help keep the Multiplex 10 open for business by becoming a patron today!

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Review: Coherence (2013)

Saturday, October 4, 2014

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Written and directed by James Ward Byrkit.
Starring Emily Foxler, Hugo Armstrong, Nicholas Brendon, Elizabeth Gracen, Lauren Maher, Alex Manugian, Lorene Scafaria, and Maury Sterling.

A new Patreon backer at the $50 level opted out of the usual reward of a plug in the “Become a Multiplex Patron” box (above, on the website), asking instead for me to plug the 2013 indie science fiction filmCoherence (with which he is not affiliated). I was happy to oblige, and so “A fan of Coherence” — a.k.a. The Patron, as I’ll refer to him from here out — is, for the duration of his patronage, among Multiplex‘s supporters. (And, yes, I will review just about any movie a $50 backer asks me to.)

What really got my interest in the film (aside from being asked very nicely to see it) was that The Patron compared it to Shane Carruth’s Primer, one of the best no-budget sci-fi movies ever made. I can definitely see the comparison: both are decidedly low-budget films with small casts and a science-fictiony premise. I feel like seeing the film fairly blind is probably the best, so I won’t summarize the plot beyond the premise of eight friends having a dinner party when a comet passes over and Strange Things Happen, but I don’t think I’m quite as enthusiastic as The Patron.

Unfortunately, the “go in as blind as you can” suggestion means I feel like I need to be pretty vague. Some clunky (and largely unnecessary) exposition gets spat out early on, which tried my patience a bit, but it gets fun as the plot gets rolling. And the plot is definitely the star of the film, not the largely forgettable cast of affluent, Southern California white people or the dialogue, which often feels improvised (in that it neither pushes the story forward nor reveals character, as good dialogue ought to).

Despite some genuinely terrifically creepy or suspenseful moments in the film, a handful of contrived plot points hold it back from being much more than a fun genre flick for me, but I found myself wondering what would happen next — almost up to the very end. A late turn in the film got more of an eye-roll from me than the shock that I think it was supposed register. As always, your mileage may vary, but the film’s merits make it well worth a viewing, particularly for science fiction fans suffering from blockbuster fatigue.

Here’s the trailer! If it piques your interest, please do check it out. It’s available for rent from Amazon Instant Video or for purchase from its official website, among other places. (I never recommend reading YouTube comments, but definitely on’t read the comments if you want to stay away from spoilers.)

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