Notes from the Manager
We’re finally about to start filming, but we won’t see any “footage” for another week (just in time for Halloween). I like slow pacing. What can I say?
Yasujiro Ozu is one of my favorite directors. He’s one of Japan’s most revered filmmakers, with a career spanning from 1927 to 1962. While many of his early films have been lost,
I believe all many of his sound films are available in Criterion Collection DVDs or Blu-Rays, and almost all of them are beautiful, understated (“boring,” to many people) films. Unfortunately, none are available on streaming at Netflix, but they're all up on Hulu Plus.
I have a few reviews of Ozu’s films up at the Deleted Scenes blog (originally published at Gapers Block, back in the day). His best-known film is Toyko Story, and that’s as good a place to start as any.
As Jason says, Ozu’s trademark style involved low camera angles (really, a low camera height, not low camera angles, but it’s described that way all the time), an almost motionless camera, and relatively little cutting. It’s a beautifully poetic style, and I would shamelessly rip it off if I ever made a film.
Do we have any Ozu fans out there?
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Thursday, April 17, 2014
This apparently hit big at Sundance, and who doesn’t like Jean-Ralphio’s sister on Parks & Rec? Okay, maybe a lot of people, but Jenny Slate is fuckin’ funny. Anyway. Obvious Child is an indie comedy-drama about a young potty-mouth comedian (Slate) who finds out she’s pregnant and… just watch this.
Obvious Child was written and directed by Gillian Robespierre. It hits theaters on June 6, 2014. It’s so indie, its official movie site is on Tumblr.
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