Notes from the Manager
Don't forget that there are THREE STRIPS this week, so I'll see you on Friday, with the conclusion of this arc, more or less.
WARNING: The blathering below might be spoilery about Inception to some sensitive types, even though I don't get very specific at all. See it already. It's good, clean fun.
When I come up with the characters' opinions about a movie, I have a few resources: my opinion, my friends' opinions (hi, Peter!), and the asshole of the universe… a.k.a. the internet.
Reading comments on the internet about movies like Inception gives me a freakin' headache, because you end up with everybody crapping out their theories and "evidence" (many of which are factually flawed) and half the people insulting anybody who disagrees with them — or simply didn't like the movie — by saying they "didn't understand it." ugh
For instance, two details often raised as "proof" that the ending was still in a dream: the children at the end of the movie are neither the same age, or in the same clothing. They're played by different kids and identified as two years older than the other (dreamed) appearances in the movie, and the costume designer has confirmed that they were wearing different clothes.
I (and Jason, who usually — not always — shares my opinions about films) are in the minority here, it seems, but as much as I liked it (I've seen it twice) I felt that it was a pretty straightforward movie. My "interpretation" is that the whole movie is utterly face value. Other than the opening, which flashes forward to Cobb's second time in Limbo, the entire story is completely linear — even when they're jumping in and out of dreams and going up and down dream "levels," or whatever. And the "ambiguous" ending is really cut and dry if you understand that tops that spin infinitely do not wobble because of physics.
Yes, it's a dream, but they previously showed the top spinning infinitely and it never wavered. To say it's still a dream even though it wobbled requires some other explanation about why the totem…
GAH. I don't even like talking about this stuff. The big question of "was the whole movie a dream?!" to me is just… well, frankly, it's annoying to me, because honestly, if Inception isn't straightforward — if the events as we see them and as the characters explain (a bit too much) to us throughout the entire movie — then I like it less, because it's one thing to misdirect and then have a reveal, or to have an ambiguous ending — neither of which I think Inception does — and it's another to waste an audience's time with utter bullshit. That's simply not good storytelling (to me), and I don't think Christopher Nolan is a gimmicky bullshit director.
If you give me a puzzle, I want enough pieces there that I can make some sense of it — like in the time travel mindfuck Primer, for instance, which I've also seen twice and still am not totally sure what happened (because they don't show you all of the pieces of the puzzle). And it's brilliant.
Don't give me a jumble of cardboard and pretend it's a puzzle — I'm looking at you, Donnie Darko. I enjoyed you while I watched you, but you don't make a goddamn bit of sense. I don't care about the endless theories of time warps that were on the website or whatever; if it's that crucial to the story, it should be in the freakin' movie.
So yeah: Inception. Lots of fun. The zero G hotel fight was fantastic. It's also not at all hard to follow, complicated, or ambiguous. And if you really want to make it out to be more complicated than that, go right ahead, but… seriously. Why make life harder on yourself than it needs to be?
(By the way, if you disagree about any of this, feel free to pop into the forum and tell me why — but keep it polite, or I will punch you in the throat.)
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Sunday, March 29, 2015
I want to take a foray into electronic publishing.
I am looking for a (prose) writer to provide a short story, novella or non-fiction story that I will turn into an iBooks-formatted eBook for sale (in the iBookstore), released under my Chase Sequence publishing imprint. Chase Sequence published Multiplex: There and Back Again, which won the 2014 IPBA Gold Medal for Best Graphic Novel/Drawn Book–Humor/Cartoon, so technically it is an award-winning publisher.
There is no limitation with regard to genre, but I will say that my taste in prose leans strongly toward literary fiction and non-fiction, and toward characters, psychology, and well-written prose over plot. (Margaret Atwood is my favorite writer.)
What to Submit: A pitch for a 30+ page, prose short story/novella/non-fiction piece. No comics — no picture books. If you have already written the short story, great, but it must be previously unpublished. Please include links or URLs to a resumé and examples of previous published work would be helpful, to give me a feel for your voice.
Send questions (or submissions) to gordon at multiplexcomic.com.
The Terms: No money up front, but 50% of the cover price in exchange for one year of exclusivity (from the date of publication). The writer retains all other rights to their story. These will be sold via iBooks only (at least at first), which means that Apple will get 30% and I will get 20% for my contributions: I will edit the story; I will design and produce the eBook; I will illustrate a cover for it (or hire someone else to, if I’m not the best fit for the story); I will help promote it.
Please submit your pitch before April 30, 2015. I will notify the selected writer(s) I am interested in working with as soon as possible after that.
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