Notes from the Manager
Don't forget that there are THREE STRIPS this week, so I'll see you on Friday, with the conclusion of this arc, more or less.
WARNING: The blathering below might be spoilery about Inception to some sensitive types, even though I don't get very specific at all. See it already. It's good, clean fun.
When I come up with the characters' opinions about a movie, I have a few resources: my opinion, my friends' opinions (hi, Peter!), and the asshole of the universe… a.k.a. the internet.
Reading comments on the internet about movies like Inception gives me a freakin' headache, because you end up with everybody crapping out their theories and "evidence" (many of which are factually flawed) and half the people insulting anybody who disagrees with them — or simply didn't like the movie — by saying they "didn't understand it." ugh
For instance, two details often raised as "proof" that the ending was still in a dream: the children at the end of the movie are neither the same age, or in the same clothing. They're played by different kids and identified as two years older than the other (dreamed) appearances in the movie, and the costume designer has confirmed that they were wearing different clothes.
I (and Jason, who usually — not always — shares my opinions about films) are in the minority here, it seems, but as much as I liked it (I've seen it twice) I felt that it was a pretty straightforward movie. My "interpretation" is that the whole movie is utterly face value. Other than the opening, which flashes forward to Cobb's second time in Limbo, the entire story is completely linear — even when they're jumping in and out of dreams and going up and down dream "levels," or whatever. And the "ambiguous" ending is really cut and dry if you understand that tops that spin infinitely do not wobble because of physics.
Yes, it's a dream, but they previously showed the top spinning infinitely and it never wavered. To say it's still a dream even though it wobbled requires some other explanation about why the totem…
GAH. I don't even like talking about this stuff. The big question of "was the whole movie a dream?!" to me is just… well, frankly, it's annoying to me, because honestly, if Inception isn't straightforward — if the events as we see them and as the characters explain (a bit too much) to us throughout the entire movie — then I like it less, because it's one thing to misdirect and then have a reveal, or to have an ambiguous ending — neither of which I think Inception does — and it's another to waste an audience's time with utter bullshit. That's simply not good storytelling (to me), and I don't think Christopher Nolan is a gimmicky bullshit director.
If you give me a puzzle, I want enough pieces there that I can make some sense of it — like in the time travel mindfuck Primer, for instance, which I've also seen twice and still am not totally sure what happened (because they don't show you all of the pieces of the puzzle). And it's brilliant.
Don't give me a jumble of cardboard and pretend it's a puzzle — I'm looking at you, Donnie Darko. I enjoyed you while I watched you, but you don't make a goddamn bit of sense. I don't care about the endless theories of time warps that were on the website or whatever; if it's that crucial to the story, it should be in the freakin' movie.
So yeah: Inception. Lots of fun. The zero G hotel fight was fantastic. It's also not at all hard to follow, complicated, or ambiguous. And if you really want to make it out to be more complicated than that, go right ahead, but… seriously. Why make life harder on yourself than it needs to be?
(By the way, if you disagree about any of this, feel free to pop into the forum and tell me why — but keep it polite, or I will punch you in the throat.)
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Friday, May 15, 2015
Longtime readers of the strip know I don’t just stop updating. Three years of grad school, and I’ve missed maybe one update. But as some of you may know (from Twitter or the Multiplex Facebook page), a friend of mine died in a car crash on Wednesday.
Ryan Love and I went to school together from 3rd grade until graduating high school, and he was probably the one person most responsible for me getting interested in comics. When we were kids, I read all his He-Man mini-comics, because my parents never bought me any of those toys. After I got into comics, he read my DC stuff, and I read his Marvel comics. He bought my comics for me on the sly when my mother banned me from reading them for getting “bad grades.” We co-created a ton of really dumb superheroes together, plus a couple of cool ones.
We drifted a bit after high school — different colleges and just part of growing up and being interested in different things. We kept in touch (not as much as we should have), and when we got together, we mostly talked about comics, he would badger me to join our high school friends’ Fantasy Football League (never going to happen), and we’d argue about something or another. He was great at arguing.
Since I was back in my hometown (Peoria, Illinois) for the Artist and Comic Expo, we had lunch on Monday, two days before he died. I hadn’t seen him in about three years, since the last time I had visited Peoria. This time we talked about comics, Age of Ultron, Game of Thrones, and how we’ve both recently become engaged. He badgered me to join our friends for their annual get-together to watch “the draft.” I think that has something to do with football.
I also gave him a copy of Multiplex: There and Back Again. I inscribed it, “This book is all your fault.”
Even though we didn’t talk nearly as often as we did when we were little, time doesn’t change how much friends meant before, or how much of them was and continues to be a part of you.
Multiplex needs to take a short break while I head back to Peoria to go to his memorial service, and then immediately turn around and head over to Denver Comic Con. Hopefully I’ll find time to work on the strip somewhere in there, but in any event, I’ll start posting new strips in two weeks.
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