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#497: What Dreams May Come, Part Five

August 6, 2010

Notes from the Manager

Related Strips: #493: What Dreams May Come, Part One; #494: What Dreams May Come, Part Two; #495: What Dreams May Come, Part Three; #496: What Dreams May Come, Part Four

So yeah!

I forget if I mentioned there's a new desktop wallpaper available free if you make a donation via PayPal. You can actually get a preview of the art for it by visiting the all-new OpenCart-powered Multplex Store, now with a unified design (well, except for the lack of an ad, because it was causing problems with the SSL certificate).

There isn't any new merchandise in it — YET — but I needed to switch to a store that allows me to accept pre-orders… because obviously I've got this print collection coming out soon. Have you heard about that? :)

As it says on the left sidebar (below the strip) on the front page of the Multiplex site, the book is currently slated for September 22nd on-sale date. (It would ship shortly before then for pre-orders, to hopefully arrive on the 22nd.) I don't know of any reason why I should miss that date, since I will actually be getting the book somewhat earlier than that — but I need time to get review copies out and that sort of thing. Kickstarter Backers will likely get their copies a little earlier than that, too; I'll just need time to get all the packages together after the books arrive. (There are like 250 of them, so, you know… it's a lot of work.)

Also new to the little Upcoming Events sidebar (for those of you who don't pay attention to that, or aren't reading this on the front page of the site) is a few conventions I'll be at in the near future. Let's start with the biggest one, which happens to be the second largest comic book convention in the country:

New York Comic Con (October 8–10)! It looks like Liz Bailie of Freewheel and I will be sharing a table in the Webcomics Pavilion. More details to come on that one.

I'm also planning on going to FallCon in Minneapolis, but that's not definite juuust yet.

And, for those of you in the Indianapolis area, I'll be at… actually, I'm not sure what it's called, but one of ASH Comics & Shows… shows… at the Ramada I-70 on October 24th. It's a tiny con, and I'll probably be stuck in a corner somewhere and seriously lonely, so if you're near there, drop by and keep me company.

I will also be doing a signing/book release party at Third Coast Comics in Chicago, right around the book release (naturally) and a signing at Acme Books & Comics in Peoria, Illinois, in either September or October, so keep your eyes peeled for information about those if you want me to scribble in the book for you, or save yourself shipping, or whatever.

EDIT: I've just confirmed with Terry of Third Coast Comics that the signing/book release party will be on September 18th, from 4pm to 7pm — kind of a limited release before the "wide" release on the 22nd, to put it in movie terms. It will be followed with their monthly Chicago Comic Book Meetup (at 7pm), where I'll be a special guest!


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Review: Coherence (2013)

Saturday, October 4, 2014

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Written and directed by James Ward Byrkit.
Starring Emily Foxler, Hugo Armstrong, Nicholas Brendon, Elizabeth Gracen, Lauren Maher, Alex Manugian, Lorene Scafaria, and Maury Sterling.

A new Patreon backer at the $50 level opted out of the usual reward of a plug in the “Become a Multiplex Patron” box (above, on the website), asking instead for me to plug the 2013 indie science fiction filmCoherence (with which he is not affiliated). I was happy to oblige, and so “A fan of Coherence” — a.k.a. The Patron, as I’ll refer to him from here out — is, for the duration of his patronage, among Multiplex‘s supporters. (And, yes, I will review just about any movie a $50 backer asks me to.)

What really got my interest in the film (aside from being asked very nicely to see it) was that The Patron compared it to Shane Carruth’s Primer, one of the best no-budget sci-fi movies ever made. I can definitely see the comparison: both are decidedly low-budget films with small casts and a science-fictiony premise. I feel like seeing the film fairly blind is probably the best, so I won’t summarize the plot beyond the premise of eight friends having a dinner party when a comet passes over and Strange Things Happen, but I don’t think I’m quite as enthusiastic as The Patron.

Unfortunately, the “go in as blind as you can” suggestion means I feel like I need to be pretty vague. Some clunky (and largely unnecessary) exposition gets spat out early on, which tried my patience a bit, but it gets fun as the plot gets rolling. And the plot is definitely the star of the film, not the largely forgettable cast of affluent, Southern California white people or the dialogue, which often feels improvised (in that it neither pushes the story forward nor reveals character, as good dialogue ought to).

Despite some genuinely terrifically creepy or suspenseful moments in the film, a handful of contrived plot points hold it back from being much more than a fun genre flick for me, but I found myself wondering what would happen next — almost up to the very end. A late turn in the film got more of an eye-roll from me than the shock that I think it was supposed register. As always, your mileage may vary, but the film’s merits make it well worth a viewing, particularly for science fiction fans suffering from blockbuster fatigue.

Here’s the trailer! If it piques your interest, please do check it out. It’s available for rent from Amazon Instant Video or for purchase from its official website, among other places. (I never recommend reading YouTube comments, but definitely on’t read the comments if you want to stay away from spoilers.)

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